• Among them were English mariner Emeric Essex Vidal (1791–1861), a watercolorist who left important graphic evidence of Argentine history; French engineer Carlos E. Pellegrini
  (1800–1875), who was devoted to painting out of necessity and who would be the father of president Carlos Pellegrini; the mariner Adolfo D’Hastrel (1805–1875), who published his drawings and watercolors in the book Colección de vistas y costumbres
  del Río de la Plata (1875); and lithographer César Hipólito Bacle (1790–1838).

• In 1948 it Organized the paint shop of the Superior Institute of Arts of the National University of Tucumán led by Enes Lino Spilimbergo and direction of Guido Parpagnoli,
  que Formed plastic one pole of the Argentina of great interest to the Most outstanding artists: School Tucumano muralists, inspired by the Teachings and principles of Lothar Matyla Ghyka harmonics.

• The project of the Higher Institute of Arts joined in various disciplines: Lorenzo Dominguez for the section of sculpture, Víctor Rebuffo recorded in Zurro and Pedro de la
  Fuente in matalistería.

• Tomás Maldonado is one of the most well known abstract artists.

• In 1948 he organized the painting workshop at the Higher Institute of Arts of the National University of Tucumán under the leadership of Enes Lino Spilimbergo and Guido Parpagnoli
  address, where he formed a plastic pole Argentina of great interest with leading artists : Tucumanos Muralistas School, inspired by the teachings of Lothe and Ghyka Matyla harmonic principles.

• The project of the Higher Institute of Arts in different disciplines joined Lorenzo Dominguez for the section of sculpture, printmaking and Víctor Rebuffo in Zurro Pedro de
  la Fuente in matalistería.

• In the 1830s, Carlos Morel (1813–1894), considered the first strictly Argentine painter, came to prominence.

• Eduardo Sívori (1847–1918) introduced naturalism with works such as El despertar de la criada, followed by painters like Reinaldo Giudici (1853–1927) and Ernesto de la Cárcova
  (1866–1927), Ángel Della Valle (1852–1903) developed a painting movement depicting the customs of the countryside, with works like La vuelta del malón.

• Among the leading artistic groups were: • The Orion Group, composed of Luis Barragán, Vicente Forte, and Leopoldo Presas, among others.

• Abstract art[edit] Juan Del Prete (later the creator of Futucubismo, a mixture of Cubism and Futurism) came from the abstract art movement in Argentina, which developed in
  the 1940s from, of course, concrete art.

• Soon after, Fernando Fader (1882–1935) and the artists of the Nexus group began to push for the development of artistic currents that, without ignoring or disavowing the painting
  fashionable in Paris, would be capable of expressing independent views of painting.

• In the middle of the 19th century the first Argentine artistic institutions began to be organized.

• An Argentine painting refers to all the pictorial production done in the country of Argentina throughout the centuries.

• First avant-garde movement[edit] The first major artistic movements in Argentina coincided with the first signs of political liberty in the country, such as the 1913 sanction
  of the secret ballot and universal male suffrage, the first president to be popularly elected (1916), and the cultural revolution that involved the University Reform of 1918.

• Campos for his naive painting of social elements via caricature and the use of “significant” color; and Pantoja whose painting was inspired by the indigenous Andean and Latin
  American cultures.

• Nineteenth century[edit] In the first years of the 19th century, many foreign artists visited and resided in Argentina, leaving their works.

• Twentieth century[edit] Martín Malharro, Las parvas (la pampa de hoy), 1885–1911, National Museum of Fine Arts, Buenos Aires At a 1902 exhibition, Martín Malharro (1865–1911)
  introduced impressionism to Argentina.

• The La Boca group was strongly influenced by Italian immigration and developed a distinctive style centered on labor and immigrant neighborhoods.

• Escuela de Muralistas Tucumanos School Tucumano muralists[edit] From 1946 there is a shift in the academic policy of the Schools of Fine Arts of Argentina, to the sound of
  Argentine teachers political apartments expelled from other schools of fine arts as Mendoza and Buenos Aires.

• Since 1946 was a turning point in the academic policy of the schools of Fine Arts of Argentina, the apartments are of the Argentine political masters Expelled from other schools
  of fine arts as Mendoza and Buenos Aires.

• Pre-Columbian painting Cueva de las Manos (Cave of the Hands), in Patagonia, Argentina, is an example of one such work.

• The great wave of European immigration (1870–1930) established a strong relationship to European painting, mainly through Italian painters or children of Italians.

• One source claims Madí was founded in protest to the government control of the arts under Juan Perón.

• The New Figuration, met in the decade of 60, several artists who adopted the name “Another Figuration,” recovering the human figure, but in order to give free-form, often
  monstrous and corpses.

• He was followed by painters including Faustino Brughetti (1877–1956), Walter de Navazio (1887–1919) and Ramón Silva (1890–1919).

• Argentina has a rich history of different types of art.

• The New Figuration, which met in the 60s, several artists who adopted the name “Another Figuration,” recovering the human figure, but in order to give free-form, often monstrous
  and corpses.

• Since the notion of “system”, derived from the science of cybernetics, from the early 70s, several artists and specialists in communication, develop a stream called the System
  of Art, expressed in different ways under names such as “conceptual art” “Eco Art of the Earth “,” poor art “,” Art of propositions “and” cyber-art. “

• Since the notion of “system”, derived from the science cybernetics, from the early 70s, several artists and specialists in communication, develop a stream called the System
  of Art, expressed in different ways under names such as “conceptual art” “Eco Art of the Earth”, “poor art”, “Art of propositions” and “cyber-art.”

• It is considered the only artistic movement founded in Buenos Aires to have a significant impact internationally.

• The New Figuration brought together in the 60s, several artists who adopted the name “Other Figuration”, which recover the human figure, but in order to give free, often monstrous
  and cadaverous forms.

 

Works Cited

[‘Cueva de las Manos at the UNESCO:
 UNESCO World Heritage Centre. “Cueva de las Manos, Río Pinturas”. UNESCO World Heritage Centre. Archived from the original on 2021-04-14. Retrieved 2021-04-07.
 World Heritage Sites: a Complete Guide
to 1007 UNESCO World Heritage Sites (6th ed.). UNESCO Publishing. 2014. p. 607. ISBN 978-1-77085-640-0. OCLC 910986576.
2. ^ “LOGIC, INTUITION POWER MADI ART” Albuquerque Journal (New Mexico, USA). 1996-09-15. p. D3. Retrieved from Newsbank’s “America’s
Newspapers” through the Dallas Public Library Archived 2011-07-25 at the Wayback Machine on 2010-03-06.
3. ^ Stewart, Jennifer. “Lively, playful geometric works of art for fun” St. Petersburg Times (Florida, USA). 2006-07-16. Retrieved from Newsbank’s
“America’s Newspapers” through the Dallas Public Library Archived 2011-07-25 at the Wayback Machine on 2010-03-06.
Photo credit: https://www.flickr.com/photos/joeshlabotnik/2331651885/’]