Over the years the designer has made it very evident that he chooses to support the industry that he’s in, which is fashion, but also takes time to add the art field as well.
He opened Armani Japan and introduced a line of eyeglasses (1988), socks (1987), a gift collection (1989), and a new “basic” men’s and women’s line for America known as A/X
Armani Exchange (1991).
The label became one of the leading names in international fashion with the introduction of several new product lines, including G. A.
In 1979, after founding the Giorgio Armani Corporation, Armani began producing for the United States and introduced the Main line for men and women.
An example of this, is at the Guggenheim Museum in New York hosted an exhibition of Armani’s work – a first for a living designer – with average attendance of 29,000 a week.
It also heavily publicized his name, Gere wrenching open a drawer of Armani shirts, perfectly folded, labels exposed, before composing four entirely Armani outfits in what
ultimately amounted to cinema’s best advertising campaign for a fashion brand ever.
As an official partner, Armani’s ACQUA #6, which represented works that focus on the theme of water in photography.
 Giorgio Armani, in September 1997 In 1996 his long-time friend Eric Clapton composed songs for Armani’s fashion shows and has since dressed in Armani.
Although, Pasoilini was known for a plethora of things, knowing that he created works mostly in the form of film or writing it does show another side of Armani demonstrating
an example of his appreciation of the arts’.
 Armani also prepared to break into the Chinese market by opening up his first store in that country in 1998.
Armani will provide official and travel ensembles to members of the team in return for brand exposure and association with the world’s number one brand and most popular motorsport
It projected Armani’s name and style to an audience far broader than any fashion magazine could reach.
New designers such as Armani could begin their businesses free from debt, with ambitious fashion shows and advertising campaigns.
The information provided by The Museum of Modern Art gives an example of how Armani supported the New York show, Pier Paolo Pasolini: The Eyes of a Poet in 1990.
His 1991 project, A/X: Armani Exchange, represented Armani’s attempt to break into the American mass market, offering lower prices for relaxed chic clothes.
This led to a period of extensive collaboration, during which Armani worked as a freelance designer for a number of fashion houses, including Allegri, Bagutta, Hilton, Sicons,
Gibò, Montedoro, and Tendresse.
 In 2015, Giorgio Armani was an artist that was a part of the Paris Photo Public Programme.
His skills were in demand, and for the next decade, while continuing to work for Cerutti, Armani also freelanced, contributing designs to as many as ten manufacturers at
Giorgio Armani in 2009 Armani established an innovative relationship with the fashion industry, characterized by the 1978 agreement with Gruppo Finanzario Tessile (GFT), which
made it possible to produce luxury ready-to-wear in a manufacturing environment under the attentive supervision of the company’s designer.
 Armani broadcast his collection live on the Internet, the first in the world of haute couture, on 24 January 2007.
In October of that same year, he presented his first collection of men’s ready-to-wear for Spring and Summer 1976 under his own name.
After serving in the military for two years, he abandoned his studies and in 1957 found a job as a display assistant and buyer at La Rinascente in Milan, then one of Europe’s
chicest department stores.Due to his medical background, he was assigned to the Military Hospital in Verona, where he would attend shows at the Arena.
Later that year Clapton opened two Emporio Armani stores in New York City.
From reading more in this article it’s said the Japanese designs can be one of them.This information was provided inside the Oxford Art Journal, “Hermes in Asia: Haute Couture,
High Art and The Marketplace.
This show was an exhibiton taking an inside look into artist Pasolini, specifically it presented people twenty- two films.
They have also collaborated on several fashion shows and other events.
The experience provided Armani with an opportunity to develop his own style in new ways.
After the frenetic expansion of the 1990s (sportswear, watches, eyeglasses, cosmetics, home, and new accessories collections), 2000, the twenty-fifth anniversary of the brand,
saw a flurry of investment activity, including stock sales and the acquisition of new manufacturing capacity intended to increase Armani’s control over the quality and distribution of his products.
He formed his company, Armani, in 1975, which eventually expanded into music, sport and luxury hotels.
He first gained notoriety working for Cerruti and then for many others, including Allegri, Bagutta and Hilton.
Because of the democratic nature of the Emporio line, Armani felt that he had to make use of new and unconventional advertising methods.
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